As an added bonus, by leaving a comment on this post, you will automatically be entered into a drawing to win an autographed copy of Amy’s debut novel, How Sweet the Sound from David C. Cook Publishing AND a yummy combo tin of pecans, including Milk Chocolate/Dark Chocolate/White Chocolate/Honey Toasted/Praline/Roasted & Salted/Creamy White fresh from the B&B Pecan Farm in Fairhope, Alabama. (If you don’t like pecans, I’m willing to have them shipped directly to my house and take them off your hands. (I’m generous like that.)
I came across Amy’s blog four years ago and was immediately drawn to her lyrical and honest writing. We sort of hit it off right away, and I’ve been a fan ever since. There are many good writers I’ve stumbled upon through blogging, but if you asked me to choose my absolute favorites, she’d be right up there at the top of the list, even in light of her continuous overuse of emoticons in correspondence, done just to annoy me.
Amy is the winner of the 2011 Women of Faith writing contest, former weekly newspaper columnist, RN, and a member of the RAINN Speaker’s Bureau. She lives with her husband, three boys and a gaggle of golden retrievers in central Indiana.
Now, on with the Q&A:
Katdish: The first thing I ever read from you (besides a blog post) way back in 2010 was a non-fiction manuscript about dealing with brokenness. What lead you to make the leap to fiction? Do you imagine yourself writing non-fiction in the future?
Amy: How Sweet the Sound did begin as a non-fiction work which centered around finding hope and joy in the midst of brokenness. As I delved further into the publishing industry, I began to realize that my chances of a publishing house picking up my non-fiction story were pretty dismal, considering most non-fiction works are either by or about someone who is already famous. In industry terms, I didn’t have a “platform.”
Still, I believed in the message of that manuscript, that it is possible to find not only hope, but joy, in the midst of pain and brokenness. I also knew that fiction has a lot better chance of being picked up by publishing houses, and that if a story is well written, platform doesn’t matter nearly as much. So, I set about studying the craft of fiction. I’d already been studying it for my non-fiction, because even those books need well-told stories, even plots, to make them engaging. I read books on the craft, stalked fiction author blogs (including Billy Coffey’s), read piles of novels in the genre I hoped to write. Soon I had a new goal: turn my nonfiction into a novel.
Now that I’m finishing up my second novel (as yet untitled, and scheduled for spring, 2015 publication), I don’t know that I’ll ever turn back to nonfiction. Anything is possible of course. After all, I never thought I could write a novel. But fiction writing is an adventure all its own, and the imagination, the sculpting, the creation involved in novel writing is one I doubt I’ll turn away from, as long as my brain keeps working well enough for me to keep writing.
Katdish: Well, as a big fan of novels, I’m glad you made the move to fiction. It’s funny that you mention Billy Coffey, because his first published work was submitted as a memoir, but his publisher asked if he would be willing to make it into a work of fiction. He was extremely hesitant about it at first, but I pleaded with him to take their advice and insisted that the only way it would have been a better idea is if I had thought of it first. The rest, as they say, is history. He’s now a bonafide novelist. (That’s not really a question. I just wanted to put that out there.) Moving on…
I fell in love with the characters in How Sweet the Sound, particularly Anniston. Any plans to revisit her and her family in later novels? (Say yes.)
Amy: I’m sorry to say, at this point (never say never), I have no plans to write a sequel or follow-up novel about any of the characters in How Sweet the Sound. The story is so strong, I don’t think any subsequent book would do any of them justice. I also feel like the story needs to rest where it ends, that part of the longing readers may have for a sequel can be best met with the readers own imaginings of “what happens next.”
Katdish: That’s disappointing news. Perhaps it’s the fact that the story is so strong, the characters so compelling that I’m just not ready to say goodbye to them yet. Which is why I’m planning to start a How Sweet the Sound fan fiction site, where quality of story or characters won’t be an issue. You’re welcome.
And speaking of non-traditional publishing routes, in a publishing world awash with self-published authors, what made you hold out for a contract from a traditional publisher? Any advice to fellow writers about the pros and cons of either route?
Amy: I live to disappoint you, Katdish.
Here’s the thing about traditional publishing. Waiting for an agent and getting through all those dozens of rejections is excruciating. Waiting for an editor is a veritable thorn in the side. Landing a contract is thrilling, but the editorial process that follows that is heart-rending. In the midst of all the rejections and waiting and heart-rending, friends and family begin to tire of your laments. They want to know when–IF–your doggone book is ever going to be out. They even wonder if you’re lying about ever having written one. After all, no one has seen it. And inevitably, eventually, they ask:
“Why don’t you just self publish?”
I imagine everyone who works toward traditional publication has a different answer. Mine are twofold for choosing that path: 1) I wanted my book to have the greatest reach, the widest sales opportunities, the biggest chance to bless the most amount of people as possible. This can’t happen–unless you have tons of money to hire publicists on your own–without the force of a team of people at a publishing house behind your work. 2) I wanted my book to be the best. I could not make it the best on my own. I needed editors. I needed proofreaders. I needed input from industry professionals who know–and know well–how to turn a manuscript into something excellent. Going solo is great, but I needed and wanted the critiques from seasoned professionals who would work with me to make sure what I’m offering to readers is not only good, but excellent.
As far as advice, I would say if you can’t handle–nor even welcome–critique gracefully, then you should self publish. If you have thousands of dollars to spend on editors on your own, and then thousands more to spend on marketing and promotional services, then you should self-publish. If you are a professional looking to get a non-fiction book involving your business into the hands of your customers quickly, then self-publishing might also be for you. But if you work well with teams; if you can take constructive critique, heed it, and use it to improve your work; and if you have patience for the years it takes for a manuscript to reach bookstore shelves, traditional publishing is worth it.
Neither method is perfect. Neither is right or wrong. Every writer has unique needs and expectations for their art. But for me, traditional publication has been the most difficult, yet rewarding path of my life.
Katdish: So what you’re saying is that while the traditional publishing route is much more difficult, the quality of the finished product is worth the blood, sweat and tears associated with it? I admire you for sticking with it. Having read an early version of How Sweet the Sound, I will say that it was a solid, well written story before the editing process. But I will also say that editors are the unsung heroes of the publishing process, and whomever it was that convinced you NOT to kill off one of my favorite characters early in the book did you a big favor, because I was pretty mad at you for doing that. Having read the finished novel, you are now officially off my crap list. (You were only on there in pencil, not the usual black Sharpie. All is forgiven.)
Thanks for taking the time for this little Q&A, Amy. I’ll close with the most important question. Where can folks pick up one or 50 copies of How Sweet the Sound?
Leave a comment for a chance to win an autographed copy of How Sweet the Sound and a tin-ful of deliciousness from B&B Pecan Farms. I will end the drawing at midnight next Thursday, March 20, 2014 and notify the winner by email. But if I were you, I’d play it safe and go ahead and pick up a copy or two of the book today.« « Previous Post: In like a lion | Next Post: The revealing Billy Coffey multiple choice interview » »